The phrase shows no signs of going anywhere soon - nor does “master of my domain,” or Festivus. In the last day alone, the phrase “not that there’s anything wrong with that” has appeared, Seinfeld-free, in a Wall Street Journal piece about Harvard Business School, a Gothamist story about a restaurant relocating and a gossip-y report on The Stir about Kylie Jenner. These poor people–my own peers, I shudder to think–have been hopelessly lost during a lifetime’s worth of conversations, not understanding why they won’t get any soup or why it’s noteworthy that pretzels make you thirsty or the problem with talking close, high or low.Ī quarter of a century later, Seinfeld references remain fresh. It’s also a hotbed of cultural references. But the thing about Seinfeld - one reason the 25th anniversary is particularly worth noting, and why it matters that the generation gap exists - is that Seinfeld succeeded at being more than just something you watch. Obviously there are a million things that could explain this situation: the tiny, skewed sample size differences in senses of humor a preference for Friends. “I’ve never seen it, so I don’t get any references,” concurred his 23-year-old colleague, with a sad-face emoji. “I know that it’s ‘a show about nothing,’ but that’s all I know,” said one 22-year-old. But several of those born in the early ’90s confessed to never having seen the show or, even if they had seen it, not watching enough to get any reference. Seinfeld was a hearty soup of humor, a layered marble rye of humanity, master of its comic domainit was real, and it was spectacular. For some in their mid- to late 20s, Seinfeld had seeped into their brains despite being too young to have seen the original broadcast. There is a Seinfeld generation gap, or so suggests an informal, statistically insignificant but highly persuasive survey of TIME’s millennial staffers. However, as this auspicious anniversary approaches, a surprising phenomenon has emerged. choosing a selection results in a full page refresh. Seinfeld YADA YADA YADA TV Series Casual Graphic Printed T-Shirt for Men. A Pew survey timed with the 1998 finale found that 62% of high-schoolers surveyed (and 46% of those younger than high-school age) had watched the show the figure for those aged 18–29 was a full 81%. Seinfeld MASTER OF MY DOMAIN TV Series Casual Graphic Printed T-Shirt for Men. A 1995 Ad Age article stressed that Seinfeld was good at reaching a young audience, and the show maintained its strength with the 18–49 demographic through its finale. It also makes some shots that were intended as singles look a bit odd as other characters can be half in them.But by the time the show went off the air, it was a huge hit with younger viewers. Well, the first thing, the pilot, everyone knows its full name and that it. There are shots where TV safe means the boom mic or missing ceiling might appear in a widescreen version. But are you master of your domain - Seinfeld I am King of the County. The biggest issue is framing and cropping. that would make if suitable for theatrical release just as a matter of habit. It was shot with a professional ethos and attention to detail, make-up, set-design etc. This was a studio production shot on film. Going to take a lot of rework to bring that show into the 2020s cleanly. Dont diss Seinfeld, if you havent seen any episode out of its 9 seasons, GO AND WATCH THEM. I'm just wondering how they're going to smooth out all the makeup and detail flaws that were simply ignored for television in the 90s since broadcasts maxed out at a minuscule fraction of 4K res. In a perfect world, Netflix would give you a choice between 4:3, 16:9, or 3:2 (which would be my personal choice but I am probably in the minority). Its the quintessential self-referential moment of the NBC sitcom, which ran from 1989 to 1998, and, in that poignant scene, poked fun at itself for its absurdist premise. The interesting thing is that the original film was 3:2 (13.5:9), so BOTH the original broadcast AR and the HD remaster AR are throwing away parts of the shot frame, just different parts. Original broadcast ratio was of course 4:3 (12:9), whereas HD remasters have been 16:9. Stay the Master of Your Domain and win The Contest with our ode to keeping things above the belt, and Seinfeld. The larger question IMHO is the one of aspect ratio. Can you control your urges Maybe with this super-soft look. What sort of post processing they use will of course determine how modern the output looks, but in terms of resolution, it's there for the taking. Seinfeld was in fact shot on 35mm film, so the 4K film scan is pretty standard.
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