Earn Your Happy Ending: The only real happy ending can only be obtained by getting all of the rope endings and calling the complete phone number obtained from these endings.Down the Rabbit Hole: The initial given goal of the game is to climb down the Well found by Lily's home.Downer Ending: All of the Dead Ends have Lily die somehow.Lilys father will also be waiting for her at the top floor instead of the cloaked students, killing her almost instantly. If you go down to the bottom of the well twice after having killed Freddy Fungus the first time, the couch he was sleeping on will be empty save for the Master ID and a blood stain.If you call the full phone number before getting all of the rope endings, you won't be given the true ending in that run, as Lily doesn't remember why she knows it and won't know to ask for help.The same also applies to places all of the rocks in the river.If the shed is unlocked in a previous run, it will stay unlocked for any run after it.Developers' Foresight: Quite a few examples:. Cult: The College of Azoth is run by Alchemists that wear hooded robes and create human experiments.Cruelty Is the Only Option: While not needed to get the ending, the only way to get the Master ID Card is to kill Freddy Fungus, who is sleeping on the couch.Cheshire Cat Grin: One of the monsters in the vent ending has a permanent large smile on its face.Character Portrait: One of Lily is viewable in the game's menu.Boom, Headshot!: In the ending where Lily reaches the bottom of the well, Antonio shoots her in the forehead with a pistol.Many of the endings leave Lily's body in a mutilated state.
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Aside from the Senator Claghorn reference, his first name " Foghorn" is indicative of his loudmouthed personality, while his surname " Leghorn" refers to a particular Italian breed of chicken.įoghorn often fancied himself a mentor figure to the smaller and younger characters he encountered, particularly Henery Hawk, tossing off bits of self-styled sagacity interjected with phrases like "Pay attention, son", or "Look at me when I'm talkin' to ya, boy", both of which borrowed heavily from Senator Claghorn's vernacular. He has a bombastic and somewhat unrefined personality, and shows a penchant for mischief. Physically, Foghorn Leghorn is depicted as a very large rooster with a non-rhotic Southern accent he is easily the tallest of all the regular Looney Tunes characters. The accent has similarities to that of another Mel Blanc voice: Yosemite Sam (a strictly Friz Freleng character) and even more similar to a proto-Sam character in Stage Door Cartoon.īiography, characteristics and personality Īccording to Leonard Maltin, the character's voice was also patterned after a hard-of-hearing West Coast-only radio character from the 1930s, known simply as The Sheriff, on a radio program called Blue Monday Jamboree. Foghorn adopted many of Claghorn's catchphrases, such as "I say." and "That's a joke, son!" Delmar's inspiration for Claghorn was a Texas rancher who was fond of saying this. 2 Biography, characteristics and personalityįoghorn Leghorn was directly inspired by the character of Senator Claghorn, a blustery Southern politician played by Kenny Delmar on Fred Allen's popular 1940s radio show. An available LCD permits displaying accumulated pulse data and allows scaling to read-out in direct KWh and KVARh engineering units. The MARK-V PCS Data Recorder provides storage capacity for 295 days of 15-minute interval pulse data and is compatible with Itron/UTS MV-90 and ABB Energy Profiler software packages. Housed in a NEMA enclosure rated for outdoor applications, the MARK-V PCS Data Recorder can be mounted either inside the meter cabinet, or adjacent to it. Additionally, with many utility customers requesting access to electricity meter data to monitor energy usage, the MARK-V PCS Data Recorder provides a secure point of contact for them to retrieve electricity consumption data without compromising the security of the meter. The MARK-V PCS Data Recorder provides an immediate solution to automate data retrieval from existing meter sites not equipped for remote communications. The MARK-V PCS Data Recorder and MARK-V PCS Energy Meter will be the focal points of TransData's exhibit at next weeks Automatic Meter Reading Association (AMRA) Symposium being held in San Antonio, Texas from September 29 to October 3, 2002. The MARK-V PCS Data Recorder is CDMA network approved by several leading North American CDMA digital cellular networks including Verizon Wireless, Sprint PCS, Alltel and TELUS. a manufacturer of advanced energy meters and wireless data telemetry products, has announced the introduction of the MARK-V PCS Data Recorder, a two-channel load profiling demand recorder with a fully integrated CDMA Digital Cellular Modem for wireless telemetry of accumulated pulse data across digital cellular networks.ĭesigned for electric, gas and water metering applications, the MARK-V PCS Data Recorder collects pulses from the meter and then transmits the data via CDMA digital cellular networks to the utility's data collection center. APA style: TransData: wireless AMR load profiling recorder with integrated CDMA digital modem.TransData: wireless AMR load profiling recorder with integrated CDMA digital modem." Retrieved from MLA style: "TransData: wireless AMR load profiling recorder with integrated CDMA digital modem." The Free Library. The good-natured Frandsen calls Inge "ducky" and she doesn't quite understand, which has been turned into a fun light-hearted song. The creators of the musical have stayed true to the plot of the movie, with many of my favorite moments and lines represented or even turned into song. They are accepted and allowed to live their life together as man and wife and an important part of the community. Despite the fact that Olaf sleeps in the barn, this arrangement is frowned upon and the couple is shunned by the community, until their hard work, perseverance, and generosity slowly win everyone over. It doesn't take long for Inge to get fed up with this crowded living arrangement and long for a space of her own, so she makes her way across the field to Olaf's farm and take up residence there, helping him with the farm. The pastor refuses to marry the couple, and Inge is forced to stay at the neighbors farm with Frandsen, his wife Brownie, and their many children. When Inge arrives, Olaf is surprised to find out that she is actually German, which is not well accepted by the community so soon after WWI - Germans are the enemy and she could could be a spy. In this particular story, Norwegian immigrant Olaf Torvik needs a wife, so his family in Norway send him one. If you've never seen the 2005 movie Sweet Land, you should go directly to Netflix or Blockbuster or however you get your movies and watch it! Filmed near Montevideo, MN and including cameos by local actors (including the Stephens D'Ambrose, Pelinski, and Yoakam), it's the quintessential Minnesota story of Norwegian and German immigrants forging a life on the farm, with all the difficulties and rewards that entails. More than any other new work I've seen this year, I hope to see Sweet Land in a full production sometime soon. It was presented last Sunday by a cast of talented local actor/singer/musicians as it continues in the development process. Creators of the musical Perrin Post (book), Laurie Flanigan Hegge (book and lyrics), and Dina Maccabee (music) have done a wonderful job retaining what was so special about the film while adding music that feels organic to the story. It's a simple but beautiful story about early 20th Century immigrants making a life on Minnesota farmland, full of humor, heart, and nostalgia for a time gone by. They've all been so creative and interesting and diverse, but I think my favorite is Sweet Land, a new musical based on the lovely little Minnesota-made movie. I've seen several readings of new work this year, including The History Theatre's Raw Stages festival and Theater Latte Da's NEXT: New Musicals in the Making. For the full text of this license please visit our website. This software is covered under the terms of the GNU General Public License Version 2.
The phrase shows no signs of going anywhere soon - nor does “master of my domain,” or Festivus. In the last day alone, the phrase “not that there’s anything wrong with that” has appeared, Seinfeld-free, in a Wall Street Journal piece about Harvard Business School, a Gothamist story about a restaurant relocating and a gossip-y report on The Stir about Kylie Jenner. These poor people–my own peers, I shudder to think–have been hopelessly lost during a lifetime’s worth of conversations, not understanding why they won’t get any soup or why it’s noteworthy that pretzels make you thirsty or the problem with talking close, high or low.Ī quarter of a century later, Seinfeld references remain fresh. It’s also a hotbed of cultural references. But the thing about Seinfeld - one reason the 25th anniversary is particularly worth noting, and why it matters that the generation gap exists - is that Seinfeld succeeded at being more than just something you watch. Obviously there are a million things that could explain this situation: the tiny, skewed sample size differences in senses of humor a preference for Friends. “I’ve never seen it, so I don’t get any references,” concurred his 23-year-old colleague, with a sad-face emoji. “I know that it’s ‘a show about nothing,’ but that’s all I know,” said one 22-year-old. But several of those born in the early ’90s confessed to never having seen the show or, even if they had seen it, not watching enough to get any reference. Seinfeld was a hearty soup of humor, a layered marble rye of humanity, master of its comic domainit was real, and it was spectacular. For some in their mid- to late 20s, Seinfeld had seeped into their brains despite being too young to have seen the original broadcast. There is a Seinfeld generation gap, or so suggests an informal, statistically insignificant but highly persuasive survey of TIME’s millennial staffers. However, as this auspicious anniversary approaches, a surprising phenomenon has emerged. choosing a selection results in a full page refresh. Seinfeld YADA YADA YADA TV Series Casual Graphic Printed T-Shirt for Men. A Pew survey timed with the 1998 finale found that 62% of high-schoolers surveyed (and 46% of those younger than high-school age) had watched the show the figure for those aged 18–29 was a full 81%. Seinfeld MASTER OF MY DOMAIN TV Series Casual Graphic Printed T-Shirt for Men. A 1995 Ad Age article stressed that Seinfeld was good at reaching a young audience, and the show maintained its strength with the 18–49 demographic through its finale. It also makes some shots that were intended as singles look a bit odd as other characters can be half in them.But by the time the show went off the air, it was a huge hit with younger viewers. Well, the first thing, the pilot, everyone knows its full name and that it. There are shots where TV safe means the boom mic or missing ceiling might appear in a widescreen version. But are you master of your domain - Seinfeld I am King of the County. The biggest issue is framing and cropping. that would make if suitable for theatrical release just as a matter of habit. It was shot with a professional ethos and attention to detail, make-up, set-design etc. This was a studio production shot on film. Going to take a lot of rework to bring that show into the 2020s cleanly. Dont diss Seinfeld, if you havent seen any episode out of its 9 seasons, GO AND WATCH THEM. I'm just wondering how they're going to smooth out all the makeup and detail flaws that were simply ignored for television in the 90s since broadcasts maxed out at a minuscule fraction of 4K res. In a perfect world, Netflix would give you a choice between 4:3, 16:9, or 3:2 (which would be my personal choice but I am probably in the minority). Its the quintessential self-referential moment of the NBC sitcom, which ran from 1989 to 1998, and, in that poignant scene, poked fun at itself for its absurdist premise. The interesting thing is that the original film was 3:2 (13.5:9), so BOTH the original broadcast AR and the HD remaster AR are throwing away parts of the shot frame, just different parts. Original broadcast ratio was of course 4:3 (12:9), whereas HD remasters have been 16:9. Stay the Master of Your Domain and win The Contest with our ode to keeping things above the belt, and Seinfeld. The larger question IMHO is the one of aspect ratio. Can you control your urges Maybe with this super-soft look. What sort of post processing they use will of course determine how modern the output looks, but in terms of resolution, it's there for the taking. Seinfeld was in fact shot on 35mm film, so the 4K film scan is pretty standard. When it comes to actual finance, I know what I am talking about. I worked on Wall Street as an investment banker and have completed around $10 billion dollars worth of transactions. However, when I evaluate his options trading strategies, I feel that his recommendations would not be successful for most traders. I know that Kirk du Plessis has been operating Option Alpha since ~2011. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF CERTAIN WARRANTIES OR THE LIMITATION OR EXCLUSION OF LIABILITY FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.In a few videos (below) I explain why I believe Option Alpha is a scam and why I believe that Kirk du Plessis doesn't make money trading options. 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Required Copyright & Legal Disclosures Option Alpha™ is the copyright and trademark holder of all branded properties for Option Alpha, LLC and Kirk N. The “Ultimate” Options Strategy Guide Use paragraph styles in Pages to create stunning digital books The transistor backplane - the layer of components responsible for electronically switching each pixel on and off - will need to be flexible as well, Leo said. It's not just the OLEDs that need to be flexible, though. With a glass substrate, this is not too difficult, but if phone manufacturers switch to a flexible plastic substrate, it is much more challenging to keep oxygen and humidity levels low enough, he added. OLEDs also need to be protected from humidity and oxygen otherwise, the pixels get damaged and stop working, Leo said. Creating highly flexible displays will require a flexible substrate (the layer on which the OLEDs are applied) rather than the glass substrate that is typically used today, he said. There are considerable challenges to overcome before reaching that promise though, he said. I must frankly say a curved screen is a minor step," He said that the ultimate promise of OLED technology is flexible screens that can be bent and twisted without damaging them and even screens so supple they can be rolled up like a towel. "It's a desire manufactures to distinguish themselves, but in my opinion this has its limits," he said. However, design choices are the main reason behind the new trend for curved screens, not functionality, said Leo, who owns a Galaxy S7 Edge himself. When the screen is face down, users can still see the curved edges, so it's possible to tell if a friend is calling even if users are in a situation where it would be rude to check their phone. The phone allows users to assign a color for up to five contacts, and the screen lights up in that color if they call. These included shortcuts and information that can be seen at a quick glance on the long, curved edges of the device.īut Samsung said the main goal was to tackle "FoMo," or fear of missing out, reported The Daily Telegraph. In addition, the films of organic compounds are soft, making it possible to create a curved screen, he said.īut why would you want a curved screen? The curved edges of the Samsung Galaxy S6, which introduced the de facto standard for curved smartphone screens, featured various new functions. Most importantly, OLEDs emit light themselves and so don't need backlighting, and this allows for much thinner displays, Leo said. And unlike with LCDs, looking at an OLED screen from narrow angles does not distort the color or contrast, he added. OLED displays can have higher contrasts - blacker blacks and brighter whites - than LCD displays, he said. While mass-producing OLEDs is complicated, the benefits are considerable, and several other companies are now producing the screen on a large scale, Leo said. "Initially, for a couple of years, Samsung had the market to itself, and since obviously Apple and Samsung are competitors, Apple clearly had a problem with the need to establish independent manufacturing facilities that have enough capacity for the very large number of displays it needs." "Samsung took a high risk to develop the production processes," Leo told Live Science. Also, you can take a quick photo while your phone is locked.Samsung pioneered OLED technology in the early 2000s, and has built up a market-leading position in the development of the small OLED displays used in smartphones, said Karl Leo, director of the Integrated Center for Applied Physics and Photonic Materials at the Technical University Dresden in Germany. You can also open your Control Center or access your notifications. You can only wake the screen and do some essential functions like checking the time or checking for new messages. However, it’s not possible to fully unlock your iPhone this way. If you turn on Raise to Wake feature, it means that, even if your phone is locked, it’ll wake the Lock screen every time you raise your phone to take a look at it. The latest generations of iPhone are very responsive and sensitive to movement. You’ve probably noticed a feature with a somewhat unusual name – “Raise to Wake.” It is right under the Auto-Lock feature. You’ll have to choose between preserving your battery and keeping the screen active. The screen uses a lot of power, and there’s no point in trying to save your battery while the screen is active. It may sound irritating, but it’s very reasonable. Auto-Lock automatically resets to 30 seconds, and there’s no way to change it. Unfortunately, it’s not possible to keep your screen from locking or turn off Auto-Lock in Low Power Mode. Especially if you have to spend the whole day outside, and you know you won’t be able to charge your phone soon. If you’re like most people, you probably sometimes keep your iPhone in Low Power Mode. In this case, you can go with one of universal trailer wiring kits the aftermarket offers today.
When, in 1945, Germany and Berlin were divided amongst the allies, this uneventful, residential street was situated right along the division between the French and Russian sectors. In both the history and the memory of this period, one street in particular, Bernauer Straße, has taken up a prominent role. It was a complicated project, consisting of an elaborate and evolving system of border control measures. In fact, it was not always a wall and it was not confined to the city of Berlin. Construction of the Wall went through several phases and despite its deceptively simple name, the Wall was never one single object, clearly demarcated in either time or space. This marked the beginning of a new chapter in the history of Berlin, as well as of Germany as a whole. And yet, within two months the construction of the Berlin Wall started. 1 1 Hans-Herman Hertle, The Berlin Wall story, Bonn 2016, p. He replied: ‘Niemand hat die Absicht, eine Mauer zu errichten’. Dieser Artikel bietet eine Analyse aus drei verschiedenen Blickwinkeln: eine Diskussion über den eklektischen Charakter der Originalmauer und die Art und Weise wie diese dargestellt wird, ein Blick auf die Gedenkstätte als archäologische Fundstätte und zuletzt eine Betrachtung ihrer performativen Eigenschaften.ĭuring a press conference on 15 June 1961, German Democratic Republic (GDR) leader Walter Ulbricht was asked about the possibility of a state border being erected. Eine nähere Betrachtung der Funktionsweise der Gedenkstätte erklärt ihren Erfolg. Es ist dieses augenscheinliche Scheitern ein kohärentes Ganzes darzustellen, das paradoxerweise die eigentliche Stärke dieses Ortes ausmacht. Die Gedenkstätte ist ein komplexer Ort: sie fügt sich scheinbar nahtlos in ihre Umgebung ein, bedient sich diverser Medien und erfüllt mehrere Zwecke zugleich. Heutzutage befindet sich hier der längste noch bestehende Abschnitt des ehemaligen Grenzstreifens und eine umfassende Gedenkstätte wurde dort errichtet. The article presents an analysis of the memorial from three different perspectives: a discussion of the eclectic nature of the original Wall and the ways in which the memorial represents this, a look at the memorial as an archaeological site and, finally, an exploration of the performative nature of the memorial.ĭie Bernauer Straße in Berlin spielte eine wichtige Rolle in der Geschichte der Berliner Mauer, von ihrer Entstehung bis zu ihrem Abriss. A closer look at the workings of the memorial explains its success. It is this apparent failure to represent a coherent whole that is paradoxically its main strength. The memorial is a complex space: it seamlessly blends in with its surroundings, uses a range of media and serves multiple purposes at once. Nowadays it contains the longest remaining stretch of the border zone and an elaborate memorial has been constructed on the site. Am Brandenburger Tor soll es keine neuen Grenzanlagen geben, während bis zum Grenzübergang ein 1,50 Meter hoher Zaun gezogen wird.The Berlin street Bernauer Straße has played an important role in the history of the Berlin Wall, from its initial construction to its demolition. Die Arbeiten, die nur nachts durchgeführt werden können, dauern voraussichtlich mehrere Wochen. begannen Pionierkräfte der DDR-Grenztruppen zwischen Brandenburger Tor und Reichstagufer mit der Demontage eines zwei Kilometer langen Teilstückes bis zum Checkpoint Charlie. Image titleĪDN-ZB-Reiche-20.2.090-Berlin: Mauerabriss. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. |
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